Hireworks
Woman in Black – Angel of Death
Hireworks is the leading company for feature film post production and has provided the Avid equipment for Woman in Black - Angel of Death
Hireworks
Kick Ass 2
Hireworks is the leading company for feature film post production and have recently finished working on Kick-Ass 2, supplying Avid Unity and Nitris DX
Hireworks
Warner Brothers Gravity
Hireworks is the leading company for feature film post production and has provided the Avid equipment for Gravity, the excellent film from Alfonso Cuaron
Hireworks
HBO Game of Thrones
Hireworks is the leading company for feature film post production and has provided the Avid equipment for the latest series of Game of Thrones
Hireworks
Ex Machina
Ex Machina Hireworks is the leading company for feature film post production and provided the Avid equipment for Ex_Machina
Hireworks
Skyfall
Hireworks is the leading company for feature film post production and supplied the Avid ISIS5000 & Nitris DX for Skyfall, the most successful bond film so far.
Hireworks
The Legend of Tarzan
Hireworks is the leading company for feature film post production and has provided the Avid equipment for The Legend of Tarzan, the excellent film from David Yates
Hireworks
The Man from U.N.C.L.E.
Hireworks is the leading company for feature film post production and have recently finished working on The Man from U.N.C.L.E., supplying Avid ISIS and Nitris DX
Hireworks
The Second Best Exotic Marigold Hotel
Hireworks is the leading company for feature film post production and provided the Avid equipment for The Second Best Exotic Marigold Hotel
Hireworks
Kingsman: The Secret Service
Hireworks is the leading company for feature film post production and provided the Avid ISIS 5500 and Nitris DX equipment for Kingsman: The Secret Service.
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Hireworks > > News > > We have started…

We have started supplying the latest Avid Media Composer 8.7 software

We have now started supplying the latest Avid Media Composer 8.7 software – Media Composer is proven and trusted by professional editors in every segment of film, television, and broadcast. Designed to handle high volumes of disparate file-based media, Media Composer delivers accelerated high-res-to-HD workflows, real-time collaboration, and powerful media management, eliminating time-consuming tasks so you can focus on telling a great story. And now the choice is yours—edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright—making Media Composer the most versatile and accessible tool for professional creative editorial.

Media Composer 8.7 works with all File-based media, 2K/4K/5K footage, analogue and digital tape, stereoscopic 3D material, film—bring it on. Media Composer offers ACE-certified editing tools and a wide range of features, workflows, and options that enable you to work with everything, from old-school media to the latest camera technologies. Plus, you can work in HD from a high-res source without having to transcode or resize files.

Media Composer 8.7 offers a wide array of key new features, including:

AMA media management Media linked via Avid Media Access (AMA) now benefits from the complete suite of industry-leading media management tools formerly reserved for native Avid media.

Dynamic media folders Accelerates and simplifies AMA media management tasks automatically in the background.

FrameFlex tool and LUT support Enables editors to ingest 2K, 4K, and 5K media with real-time color space conversion and deliver content directly to HD.

Master Audio Fader Enables editors to control overall program volume and insert plug-ins for compression, equalization, and compliance metering.

Clip Gain Editors can adjust gain on a specific clip, independent of track-based automation, without engaging separate audio tools.